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Working on the electric guitar and the keys.
Working on the vocals and introducing effects.
Getting a basic mix together.
Final touches and conclusion.
In this video, Jon talks about his early days sound engineering all those years ago and pays homage to his mentors
What kind of venues do you prefer working in?
What is the best way to achieve that 'bass thump in the chest' with a smaller rig?
Jon explains why he still prefers to mix live shows on an analogue desk and why they are better teaching tools.
The question is a general one about venue acoustics and why many venues make no attempt to address their acoustics.
What is the most radical thing you’ve ever done in order to put on a show?
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