Can you explain a bit about your attitude to working with the house guy in a venue ?
What kind of venues do you prefer working in?
In this video, Jon talks about his early days sound engineering all those years ago and pays homage to his mentors
How have your microphone choices changed when working with Tori in the studio and live?
When recording vocals, what is your suggested position for the mic, how far would the singer be from it and how might that vary?
What is your favourite creative effect to use in production besides EQ and compression?
What is the most challenging thing when sound engineering for Tori Amos?
How can I make live drum recordings sound more vintage and aged?. This simple question has a simple answer: Use vintage equipment and recording techniques. Easy? Of course not.
Are compressed audio files acceptable?
Marcel’s answer is clear. “If you love music, then compressed files are no good. That is the end of it.”
Jon Burton answers your questions about life as a live sound engineer.
Marcel van Limbeek answers your questions about audio engineering.
What is the most radical thing you’ve ever done in order to put on a show?