Want to know if Milton Keynes Bowl is a park or a concert venue? Thought so. Jon reveals the answer and discusses some other ludicrous activities undertaken in the name of sound engineering.
Can you explain a bit about your attitude to working with the house guy in a venue ?
The question is a general one about venue acoustics and why many venues make no attempt to address their acoustics.
Jon explains why he still prefers to mix live shows on an analogue desk and why they are better teaching tools.
What is the best way to achieve that 'bass thump in the chest' with a smaller rig?
What kind of venues do you prefer working in?
In this video, Jon talks about his early days sound engineering all those years ago and pays homage to his mentors