Justin discusses using (or not using) coupling to achieve additional level for, say, a bass player, and the maximum distance he likes to have between a pair, so as to avoid the Haas Effect.

And what to do when the wedges take up so much space on the stage that there’s no room for the band!

Watch this for top tips and tricks for how to make the most of your space and still allow the musicians to hear themselves perfectly.

Tag: 
mons from foh, positioning wedges, wedges on a small stage, small stage, coupling, monitors, mixing monitors, monitor engineer, soulsound, soulsoundeducation, justin grealy