Justin sets up the desk for a simple band with 16 channels, and double patches for a FOH and a Monitor layer – making sure the monitor layer is not routed to FOH! Best practice tip - use post fade sends-on-fader for swift feedback control. He also sets up a dedicated monitor FX to accommodate requests from artists for reverb in the monitor, using a separate reverb unit to the FOH reverbs and a GEQ across all monitor mixes. Next up – checking the stage end.

justin grealy, sound engineering, audio engineering, mixing monitors, monitors, monitors from front of house, monitors from foh, mons, mons from foh, using y-splits, y split, drum fill, monitor mixes, soulsound, soulsoundeducation, midas pro2, sends on faders, post fader, post fader aux, post fader aux send, pre fader