Marcel shares his brilliant multi-microphone drum recording technique, all based on getting the phase relationships right.
Marcel demonstrates the Glyn John method – a means of setting up overheads so that the kick and snare end up in the centre of the stereo image.
Creating a realistic stereo image by panning the hi-hat and toms to match the stereo image from the overheads.
Marcel delves deeply into phase aligning the whole drum kit. This is a must-see!