Simon Willey, engineer to Bryan Ferry, shows us where the magic happens.
Using multiple mics on guitars gives you greater choice when it comes to mixing. Recording a DI track allows re-amping too!
Experiment with moving your mic around to get the best sound before you hit record. Save on time and EQ!
Vintage gear definitely still has a place in the modern studio. Jon Burton discusses his favourite analogue delay – the Roland RE-301 Chorus Echo.
What exactly is a “roadie”? More than you’d think!
How to assess your audio environment, set up your work space and a channel-by-channel look at getting a mix together.
Marcel van Limbeek tells us why being a sound engineer is such a great career choice.